No One Belongs Here More Than You: Stories, by Miranda July


Ebook No One Belongs Here More Than You: Stories, by Miranda July

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No One Belongs Here More Than You: Stories, by Miranda July

No One Belongs Here More Than You: Stories, by Miranda July

No One Belongs Here More Than You: Stories, by Miranda July

Ebook No One Belongs Here More Than You: Stories, by Miranda July

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No One Belongs Here More Than You: Stories, by Miranda July

“These delightful stories do that essential-but-rare story thing: they surprise. They skip past the quotidian, the merely real, to the essential, and do so with a spirit of tenderness and wonder that is wholly unique. They are (let me coin a phrase) July-esque, which is to say: infused with wonder at the things of the world.” —George Saunders, author of Tenth of December

Award-winning filmmaker and performing artist Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection. In these stories, July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly—they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals their idiosyncrasies and the odd logic and longing that govern their lives. No One Belongs Here More Than You is a stunning debut, the work of a writer with a spectacularly original and compelling voice.

  • Sales Rank: #194725 in eBooks
  • Published on: 2007-05-15
  • Released on: 2007-05-15
  • Format: Kindle eBook

From Publishers Weekly
It’s a testament to July’s artistry that the narrators of this arresting first collection elicit empathy rather than groans. “Making Love in 2003,” for example, follows a young woman’s dubious trajectory from being the passive, discarded object of her writing professor’s attentions to seducing a 14-year-old boy in the special-needs class she teaches, while another young woman enters the sex industry when her girlfriend abandons her, with a surprising effect on the relationship. July’s characters over these 16 stories get into similarly extreme situations in their quests to be loved and accepted, and often resort to their fantasy lives when the real world disappoints (which is often): the self-effacing narrator of “The Shared Patio” concocts a touching romance around her epilectic Korean neighbor; the aging single man of “The Sister” weaves an elaborate fantasy around his factory colleague Victor’s teenage sister (who doesn’t exist) to seduce someone else. July’s single emotional register is familiar from her film Me and You and Everyone We Know, but it’s a capacious one: wry, wistful, vulnerable, tough and tender, it fully accommodates moments of bleak human reversals. These stories are as immediate and distressing as confessionals. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Miranda July’s impressive accomplishments include two exhibits at the Whitney Biennial, an award-winning film (Me and You and Everyone We Know), two albums on the record label Kill Rock Stars, and now her praised collection of short stories (encouraged by her literary mentor Rick Moody). The stories, previously published in The New Yorker, The Paris Review, Harper’s, Tin House, and other literary journals, won July praise as “a strange and compelling new voice” (Seattle Times). Even those who found the collection uneven and the narrative voices of each story eerily similar admire the best ones as “funny and insightful, offering moments of utter heartbreak through deeper, more sophisticated storytelling” (New York Times Book Review).

Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
July’s collection of stories is a gem of unconventional storytelling. Comparisons to Lorrie Moore only get the potential reader halfway there; one must add Karen Finley’s meditations and Douglas Coupland’s painful self-exploration. July’s unadorned prose has a conversational tone, sounding like overheard bus conversations. The disaffected are well represented in such stories as “Something That Needs Nothing” and “The Swim Team,” but July is at her best when she takes it a step further. The merely marginal individual borders on the grotesque in “Majesty,” about a middle-aged woman’s strange obsession with Prince William, and in “Mon Plaisir,” with its odd and strangely removed discussion of a couple’s odd sexuality. However, the most powerful piece in the collection, “This Person,” is told by an unseen narrator. “Someone” gets–and rejects–“her one chance to be loved by everyone,” and the story of this opportunity and how it is dismissed is told in a detached, dreamlike narrative. Debi Lewis
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

1 of 1 people found the following review helpful.
Some Great Moments
By StacyIsLiterate
I’d been meaning to read this book for a long time. I’ve owned it for years and even started it twice, both times ultimately setting it aside in favor of something that seemed more interesting before I’d gotten so much as halfway through. I really enjoyed Miranda July’s movie Me and You and Everyone We Know and wanted to give her book a fair shot by actually finishing it, so I buckled down and didn’t stop until I’d turned the last page.

My actual rating for No One Belongs Here More Than You is 3.5 stars, but that’s not an option here so I’ve rounded it to 3 because for me it leans more in that direction than 4. I had a difficult time feeling transported by and getting lost in these stories. Probably my biggest issue was that I wanted them to come to more of a conclusion somehow, to have more of a point, or at least more of a payoff. The fact that every story seemed to just sort of fade out without much of a purpose seemed to give the book as a whole the feeling that IT lacked much of a purpose. There were some great moments throughout the book, I definitely highlighted multiple passages where July’s use of language was particularly interesting/pretty/truthful. I enjoyed Birthmark the most, and also genuinely liked The Swim Team and The Sister. Something That Needs Nothing wasn’t bad either. I half really enjoyed and half really didn’t Making Love in 2003. The stories were unique, and July didn’t seem afraid to write whatever the hell she felt like writing, whether that meant including a sort of super natural element or a controversial/taboo topic, and I appreciated the genre-defying nature of them. At the same time, there were also stories (like The Moves) that felt like they were mostly shocking for the sake of being shocking and ultimately didn’t really go anywhere or say very much. I found myself feeling very `…okay, and?’

It wasn’t awful. Ultimately, I really just wanted this book to DO more.

1 of 1 people found the following review helpful.
How can you not love Miranda July
By Kelly E.
How can you not love Miranda July? There is no artist/writer in the world like her. She is singular, and I describe people as such uber sparingly! I keep this book in my office and pick it up when I need to shake myself out of a creativity slump. I love the lens through which she looks at life at the world.

0 of 0 people found the following review helpful.
… calendar for sexy middle aged writers that don’t look like Raymond Carver) is strange but without substance
By joseph
I’ve heard critics say that Miss July (an appropriate name if there ever is a calendar for sexy middle aged writers that don’t look like Raymond Carver) is strange but without substance. I disagree. Each of her stories as a whole is meaningful, and the little quarkiness found within each story make them interestung, humorous, and (praise that fish making dude!) unpredictable.

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